Professional USB microphones - starting at $50 Introduction
PROFESSIONAL studio condenser microphones - ALL brand-new. Pro live condenser mics - starting at $30!! Professional Studio microphones starting at only $50!!! (These will rival $2,000 to $4,000 studio mics!)
Pro USB mics starting at only $50!!
We have 6 *very* professional, studio mics for sale. These are all BRAND NEW iSk mics - with boxes and packing:
Dynamic: DM-58, DM-3600
Condenser: “Gem”, BM-900
USB mics: CRU-1 or USB-800
(We are the only authorized dealer in Alberta.)
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DM-58
A Shure SM-58 clone, but BETTER
$120 (only 2 left!)
Condenser:
Gem
$50
A pencil mic - has 3 capsules: omni, carded, super carded
I have 1 left
BM-900
$120
A compact, studio mic, that boasts warm undertones and a smooth vocal clarity. Perfect for Home Studio Recording - with its compact design and included stand, it is the perfect solution for recording voice or vocals at in a home studio or even on location. Being a condenser microphone, the BM-900 picks up sound across a large area and with depth and clarity (compared to standard 'dynamic' mics often used for live use). These properties of a condenser mic make it ideal when recording vocals or voice in a studio environment (quiet place).
Includes Desk Top Stand
With a lightweight design and compact circuitry, the BM-900 fits nicely on home studio desk top. When singing under pressure, provides less distraction and more reaction. An impressive little pocket rocket, suitable for a range of studio applications.
See specs at partycentral.ca/microphones
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USB mics:
*PROFESSIONAL* cardioid condenser mic that plugs into any USB port. Built-in conversion from analog to digital. 20hz - 19khz!! (Most USB mics are 100hz to 13khz.)
Includes 3m USB cable.
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Videos:
https://www.youtube.com/watch?v=CyhSCF74nLw
https://www.youtube.com/watch?v=STgZU-pjO5o
CRU-1
$50
Only 3 left in stock
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Things You Might Not Know About the SM58
http://blog.shure.com/10-things-might-not-know-sm58/
– The “SM” in SM58 stands for “Studio Microphone.”
– The SM57 (1965) and SM58 (1966) were based on the popular Unidyne® III 545 (1959) used for public address systems.
– The SM58 faced extinction in 1970.
A single competitor was so entrenched in the broadcast market that radio and television stations weren’t excited about the new Shure SM microphones. Sales were sluggish, and plans were afoot to discontinue the SM58 and the SM57. As a last-ditch effort, the Shure national sales manager suggested introducing the mics to live sound engineers in Las Vegas. The mics were a hit in Vegas, and entertainers began to embrace these models for live performance. As they say, the rest is history.
– Ernie Seeler, the man behind the development of the SM58, didn’t like rock and roll.
It’s ironic that a quiet man who preferred classical music invented a mic that would become synonymous with rock and roll, first capturing the attention of acts like The Who and The Rolling Stones. Shocked by its widespread adoption on the rock stage, Ernie Seeler said, “I love classical music, but rock and roll, I don’t take very seriously.”
– The internal acoustic design of the SM58 can be traced back to the Unidyne Model 55 introduced in 1939.
All Shure unidirectional cardioid microphones employ the revolutionary Uniphase acoustical network that engineer Ben Bauer began developing in 1937 and used in the Unidyne Model 55 microphone (1939.) Ernie Seeler advanced this technology in the 1950s by designing an end-address microphone with an internal pneumatic shock mount, the Unidyne III. The SM58 has a Unidyne III cartridge.
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